Tuesday, December 27, 2005

Quiet Time

It's the quiet time of the year now. The holiday rush is over, we have no banquets on the schedule for weeks and nights are weirdly slow. Sometimes I just don't know if I can make up my mind whether I want it to be mad busy or molasses slow. When it's busy, you're having fun, there's a big rush of adrenaline and you just kinda laugh and smile when the next ticket comes in, but deep down, part of you still wants to have a bit of a breather and get caught up. When it's slow, you're bored out of your mind, and even though part of you is pausing to relish the fact that it's slow, another part of you wants it to be mad busy.

Of course, the other effect of it being slow is that you get to listen to all of those thoughts bouncing around in your head. I keep on going back to something that Stefan asked earlier in one of the comments - why am I still here? Why am I still working in a place that turns out mediocre food? Why am I not working at a place like my original stage?

Short answer? New York.

Longer answer? I remember seeing the Dali Lama in an interview once talking about happiness. When asked, he said that "happiness is helping others." It struck me that, until now, I haven't been ready to embrace that philosophy. Being a cook was something that I needed to do for myself. Before that, I was in a job that I didn't really like and it seemed like all I did was just different variations on trying to find some things to do, to enjoy myself. I couldn't even think about helping others because I needed to help myself. But the first real step to allowing myself to help others was becoming a cook. I didn't know exactly how long I would need to do this (I figured I might get myself up to sous chef, maybe even exec, before I went and made some sort of transition), but I knew that, eventually, something would change, and my path would take me out of the kitchen.

As time has passed since the Emerald City Blues Festival, I can't get over the joy I felt from helping people come together and experience something they all love. And when I focus on that, I realize that I am ready to help others.

Part of that comes from a willingness to become more humble. Though I am a proud and stubborn person, I'm coming to realize that I've never been the ideas man. Sure I could come up with a good idea here and there, but my mind has always been one focused on execution and planning, the mind of an ops man. Ops men hold organizations together but are usually not the ones leading organizations, and to me that's okay. I am excited by the idea of taking someone else's vision and making it reality. I've come to realize that it's not important that my idea come to life, but that the best idea come to life. I want to help someone who has an idea for a restaurant flesh it out, refine it, create new variations and eventually find the best fit for the space, the budget and the people involved. I want to help make them a success. I want to build restaurants.

Which is why I need to be in NYC, which has the most vibrant (and concentrated) restaurant scene in the country. I want to work as an assistant project manager for a restaurant consulting company or a restaurant group. I want to take someone's vision and make it reality. I want to mold an idea into something that gets a rave review in the Times. I want to create places where people will go and appreciate good food.

I've got the know-how and skills to do the project management aspects right (Emerald City Blues Festival, my years in business consulting and IT) but I really needed to be a cook to understand some of the other things - the need for soft skills and how to apply them, a better understanding of how the physical spaces inside a restaurant work, etc. Not to say that I've learned everything I've needed to know about restaurants, but with time in the kitchen comes a certain amount of credibility and empathy that will help make the job easier.

Now all I need to do is get a job.

It's not like I'm abandoning the Pacific NW. My heart of hearts loves being surrounded by the Olympics and the Cascades, looking around and seeing a snowcapped Mt. Rainier in the distance. More than likely I'll be back after cutting my teeth in the restaurant scene in NYC. But in the present, my mind has already shifted from finding a new place to work in Seattle and to finding a new place to work in NYC.

And this is what happens during the quiet times. You get an idea that yet again changes your life. Theater and marketing major. Consultant. IT Guru. Cook. Now, project manager. Career number four, here I come.

Thursday, December 22, 2005

My Kids

I don't have any. Won't for a while. But when I think about the culinary legacy that I would like to leave for any of the children that I could have in the future, I think I can sum it up in one word:

Fearless.

I don't want my kids needing cook books as a crutch, constantly relying on them to cook their meals. I don't want them to immediately reject new things. I don't want them to be afraid to try to make anything.

I want them to know in their bones that they can cook. I want them to know when something is balanced and well seasoned. I want them to know why things happen and how to fix it. I want them to be delighted to go to the farmer's market, select their ingredients, and come back and create something delish. I want them to be smiling as they stand on a stool beside me, looking into the pan as I cook their dinner for them. I want the rich world of organic, local, fresh food ready and available to them.

Doesn't mean they can't enjoy a Big Mac every now and again, but they should know a good pomme frite when they cook one.

Saturday, December 10, 2005

Happy Holidays

Now fuck off.

I'm dead serious. What you call the holidays, a relaxing magical time filled with friends, family, parties, good cheer, presents and good food is something else to me and the millions of others that work in the service industry. To us, this is the busy season.

Mind you, a lot of aspects of working in a restaurant are exhausting as it is: you're on your feet all of the time running to and fro for long hours. Now, let's add to your workload, extend your hours and take away one day of your weekend. You've got four banquets going out at the same time in a kitchen that could maybe handle three of them (on a good day) with a crew that is staffed to only handle three (and that doesn't include the balls to the wall lunch service that you have going on while you're trying to prep for the afternoon's banquet). Plus, you get those lovely short nights where you're in until 10 getting the banquets out and then up at dawn to get prepped for the next day's work.

Thanksgiving? Christmas? Christmas Day? New Year's Eve? New Year's Day? *shrug* someone's gotta cook all that food ... one of those someones is me. If you wonder why I seem to be grumpy over the holidays, if you wonder why you don't get that service with a smile from another service employee over the holidays, just know that we're in the weeds.

Oh, and that one day you thought you had free this weekend? Guess what, we just had a banquet sign on at short notice. Sorry, but you're coming in.

Happy holidays.

Thursday, December 01, 2005

Are you sure they're related?

Menus and Music

Why? Lord why?

As a dancer and a DJ, I appreciate good music; likewise, as a cook, I know good food. But seeing something like this just makes my skin crawl. People nowadays spend way too much time trying to find connections between completely unrelated experiences. Music at its base level involves one sense, hearing. Eating involves taste, touch (especially for finger food), sight, smell and hearing (how attractive is the sizzle on a steak?).

Or, more simply. Music is music and food is food. We provide our own meanings by adding the contexts and, in all honesty, any connections, besides some tenuous ones involving culinary anthropology, are all in one's head.

For example, many people have this stereotype of associating blues with barbecue. Barbecue is not blues. Instead, the poboy would represent the blues best. Cheap, nutritious, and often times it was one of the few things a poor person could afford to buy to eat. The poboy also benefits from its association with New Orleans, which I feel is the real cultural heart of the blues. It's an association that takes a bit of insight and knowledge, but it rewards you with a truly genuine association, as opposed to pairing barbecue with a "generic white boy blues band."

But food nowadays has to be glamourized. You can't have straight Italian cooking done well. You have to have Giada De Laurentiis shoot food porn with her best sexy "oohs" and "ahhs." You have to have Emeril do his trademark money shot, "BAM!" You have to have Tyler Florence rescue the damsel in distress.

Thank god for the Alton Browns of the world, where food can still be food.